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XBOX LIVE AND MEDIA CONSUMPTION
Microsoft’s XBOX console is quickly changing what it means to “watch” television and recreating media engagement for viewers and advertisers. Mindshare, a WPP agency, explains where the XBOX came from and where it is poised to go. Read the post on the WPP Reading Room.

6 SOCIAL MEDIA LESSONS FROM DAVID OGILVY
Translating Ogilvy on Advertising to the modern digital market. From WhatWorksWhere.com.

WHAT I LEARNED ABOUT THE WEB IN 2011
The web design elite speak to the A List Apart editors about what they feel has shifted in 2011. As always, A List Apart has the best of the web.

Excited About The Content Strategy Buzz!

Content StrategistThe last few months have had the web (to be precise, the geeky community that design, develops and writes for the web) buzzing about Content Strategy. This new function of web development and marketing is the flavor du jour for savvy agencies and web shops. Like the Social Media Specialist before it, this new position is a requirement for success for digital projects! Or is it?I’m typically very skeptical about trends that come so quickly and offer a silver bullet for every problem. The position of, or at least the practice of Content Strategist is one of these cases.

From a practical stand-point, the Content Strategist role is not a new skillset, it’s a focused role of an editor, writer, or information architect. The short version of this job role would be to look at a website’s content and structure to be sure that it is addressing the needs of it’s audience, niche audiences, the needs of the client and has a place in the market that is relevant and competitive.

Unlike other iterations of buzzword bingo positions, recognizing the need for a key team member to manage the content for large website projects is a huge benefit.

The itch that this team member will scratch is channeling the entire editorial effort of the project to several focused goals. While writers are dealing with specific pieces of the puzzle, and editors how the puzzle is held together, The Content Strategist will be looking at the picture the puzzle makes and where each piece will lay.

On Death Row With RSS

On Death Row With RSS - The most misunderstood, hardest working format on the webRSS is an innocent victim. Long-term heavy lifter of the internet, RSS (Real Simple Syndication), is a format that has been both misunderstood and under utilized. In it’s most basic form, it is a way to truncate information on the web in a format that is light and easy for just about any device to interpret. For most people, it’s a very easy way to keep up on your favorite blogs or news site without spending your evenings clicking from website to website. An innocent story. 

In the early part of the millennium, RSS was supposed to catch on like wildfire. EVERYONE was supposed to begin using an RSS client or “feed-reader” to consume content from all over the web. Some content creators worried that no one would actually visit their sites (since RSS is read remotely from a text file), Advertisers worried that no one would see their advertisements (not supported by RSS) and RSS developers worried that they couldn’t keep up with the massive wave of new users. None of it ever happened. RSS was a technological flop. It’s the most widely used format that no-one uses.

RSS is a technology with a bad rap. Ever WordPress blog (accounting for almost 14% of all websites and more than 50% of those using a content management system) provides an RSS file for new content. Major news organizations, The New York Times, Reuters, BBC, use RSS to distribute news to their affiliates, users and various reader applications. It’s a core technology for the distribution of data.

So why all of the bad mojo for RSS? It’s a victim of bad marketing. At it’s core, it’s a geek’s format. Designed for consolidating and consuming lots of data, it never had a “killer” app and never had a major brand become a champion for it.

While many have been pronouncing the death of RSS for years, and others are jumping on the bandwagon now, it’s wake is premature. Many services like Twitter and Facebook not only replace the need to use RSS readers, but also provide alternate technology that is truly an improvement over RSS and it’s core XML architecture. RSS still has a place for many. It still powers widgets, podcast networks, news organizations and, of course, blogs.

Before pronouncing RSS dead, we should look at the underpinnings of the software that powers the content and software we use everyday. It’s not going to replace or even compete with the new generation of user-tools, but it still has a long life of service ahead of it.

Miro Video Converter

Miro Video Encoder for Mac OS X and WindowsMiro is free and open source video converter for OS X and Windows. I was looking for a reliable and simple way to convert videos that I had previously deployed in Flash players to a format that is compatible with HTML5 and Google’s new WebM format. Miro is a perfect solution. It’s free, process friendly and based on the already widely proven FFmpeg encoder.

Encoding is done by a drag-and-drop interface from a wide variety of source formats. The output is chosen by from a drop-down menu that targets specific devices and formats. A single button starts the encode. From my admitted limited testing, it’s fast, easy and does what is promised.

A fantastic tool for OS X and Windows users who have a need to support video media. See the Miro website for more details: http://www.mirovideoconverter.com/

Miro Video Converter Screenshots

Web Design Predictions for 2011

Predictions for web design in 2011Fragmentation and Specialization

Desktop, Mobile, Touch, 10-foot… The market is becoming flush with many new gadgets and technology. From Internet-TV to SmartPhones, everything is accessing data from as wide a variety of sources and with as wide a variety of design challenges. After many recent advances in HTML standards the desktop browser market is maturing with support for controlled presentation of text, graphics and interactive media. Some of that is changing thanks to the fragmentation of media by several consumption changes that are growing in 2011.

Enter the growing mobile market. Within the next 5 years, it is expected that the consumption of content will more likely take place on a mobile device than a desktop or laptop. This challenge is being met be designers right now. Although smaller resolution device present some hurdles for designers, advances in mobile browsers have made adaption intuitive.

Add now, the tablet market. With Apple’s iPad the leader, Adobe’s Flash plug-in has become the pariah of the internet development community. Although a strong technology with incredible market saturation it is suffering from a bad rap. Regardless, there is a move to HTML5 and JavaScript technologies for video delivery. There is also a move back to a more conservative 1024 X 768 browser resolution for usability. All of these changes influenced by personal, less-powerful mobile browsing and media consumption platforms.

The Logitech Review runs Google TV and offers a completely new vehicle for content creatorsInternet TV consoles are going to be big players in the consumer space this year. Devices that can search the web for video and audio content and deliver it to your living room with the ease of a Google search. Google, Apple, Boxee and Roku are all contenters in this space and the winners will take a huge portion of our couch-time. To designers: Your media should be streamlined for the consumption in short-burst from a couch-born viewer. This user interface, the 10-foot interface is presented by the device. By most specs (Google, Boxee and Roku) your presentation is stripped and data held on the page presented by proxy for the waiting viewer.

HTML5

HTML5 will spread its wings in 2011. Coming on strong in 2010, HTML5 has seen a respectable uptake. The ability for developers to deploy HTML5 classes and methods and still have the ability to support older browsers like Internet Explorer 6 presents a lot of flexibility. This, combined with the search benefits of HTML5 content hierarchy makes it a logical choice for anyone developing a new website.

2011 will bring a new crop of devices that access the internet. Almost all will provide support for the HTML5 spec and all will support a transitional specification. Apple’s iOS devices for example have been able to supply strong video support and overcome the incompatibility with Adobe’s Flash only because of HTML5’s media ability.

IE9 IconHTML5’s rise will also come at the cost of aging corporate hardware. Enterprise, making up a majority of the IE6 instances still in the wild, will be forced to abandon older Windows hardware still in the workforce. Facilitated by the stability and warm reception on Windows7 and also a waining support for WindowsXP by Microsoft, new hardware introduced into the field will have better software support for HTML5. The introduction of a new browser, IE9, will mark an official entry into modern browsing by Microsoft.

Fonts

A maturing web is becoming a beautiful place. Once the bastion of print-designers, unique fonts are now becoming a coming commonplace for web designers. This past year, independent developers, font-houses and design-collective began widespread use of tools that can embed, stream and deliver to the end-user fonts for use in rendering webpages.

These new technologies employ several methods and tactics with as wide a range of executions. They all promise to deliver platform agnostic typographic freedom from the somewhat stale, though reliable, suite of fonts that have been used to build every webpage in the last 15 years.

TypeKit, FontSquirel and Google are a few of the leaders in this space. All provide transparent fall-backs for developers in the event that a solution is not supported of there is a technology failure. This combined with commonplace broadband to feed the solution to end users presents an new playground for designer, developers and content owners.

The effect is fantastic: unique designs, once only executed by embedding images, is done by feeding a temporary file for font rendering. It is lightweight for the end-user and allows the site to be accessible to all devices (with and without font support). The palette of fonts is growing everyday and the devices supporting custom fonts is growing as well.

Although every operating system interprets and presents fonts in its own way, the essence of custom fonts gives designers the ability to express themselves and their brands in a whole new way never before available to their visitors.

Giving Up On The Fold

There is no fold. I had never been especially concerned about the fold. I’ve worked on many projects where the discussion of “the fold” led to some seriously compromised designs. The argument about the fold is typically transference for too many or not properly designed call-to-action items. A well designed page (with strong content) should have a user scanning the page, clicking deeper or committing (or not) to reading the content and scrolling the page until they consume all that they want, or need to.

The growth of the mobile market, the emergence of tablets (representing a return to the 1024 x 768 standard) and the popularity of add-ons and toolbars, the fold leaves designers with solutions that look more like a print-spread than a dynamic web page. Most users are visiting websites with a distinct intention. Determining that intention and making that actionable is much more important to the designer than proving a multitude of visible destinations to the user.

If you are fortunate enough to design or create content for a website that has a large percentage of browsing users, or are driving traffic to the homepage on a product website, you should be directing users to several key destinations. By offering users too many options from the homepage, you may end up overwhelming or confusing them. Focusing calls-to-action is also a way to capture information about your audience. If you are able to segment them to key areas, you can better address their individual needs with more niche links and actionable items within the site.

Listening For What Works

What will web design be like in 2011?No matter what trends emerge for 2011, you should take the new year as an opportunity to look at your analytics. Google’s solution is free and provide in-depth reporting on your users, your content and also offers A-B testing so you can determine how your designs are effecting user behavior and traffic.

About Cullmann

Chris Cullmann is a Creative Director and Online Strategist. He works for Ogilvy CommonHealth Interactive Marketing, a digital agency dedicated to healthcare marketing. His professional and personal portfolio includes interactive websites, viral and social media, and online education applications. His portfolio and observations about the design and marketing industry can be found at www.cullmanndesign.com

The opinions expressed on this site are my own and do not reflect those of my employer or those who I am professionally connected.

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